Painting, for me, is not the execution of an idea. It is a process of discovery.

I never begin with a finished image or a predetermined outcome. Each work develops through an ongoing dialogue between colour, geometry, rhythm, and composition. Every decision shapes the next until the painting establishes its own internal logic.

Structure is not something imposed on the work — it emerges from it. Intuition initiates the process, form gives it clarity.

This is where my paintings exist: between precision and unpredictability, where visual thinking becomes a language of its own.

FORM FOLLOWS INTUITION.